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New Studio Album TROUBLE To Be Released May 13th

By March 6, 2014March 17th, 2014No Comments



A year after the release of their critically acclaimed HOWL, 
acoustic trio with indie edge returns with 13 new original songs.

NASHVILLE, Tenn. — The Howlin’ Brothers had a very good year in 2013, following the release of HOWL, their first nationally and internationally released album.

HOWL, featuring Warren Haynes (on one track, “Big Time”), brought instant success to the band. In one year they graced the cover of Acoustic Guitar magazine’s January 2014 issue; recorded in the legendary Sun Studio; were featured in a national PBS show (The Sun Sessions, which will broadcast throughout 2014 in more than 100 markets); shared the stage with Grammy® winner Ricky Skaggs; placed on over 17 end-of-year “best of” lists, and reached #6 on the Americana Music radio chart (was also #30 on that year-end chart, the highest charting position by an act/artist new to the format last year). The trio toured their brand of “old-time string country blues with an indie-rock edge” throughout the U.S. and into Canada. The majority of the 13 original songs that comprise Trouble were influenced by the people they met and struggles they encountered on the road over the past year. 

Trouble was produced and engineered by indie rocker Brendan Benson of The Raconteurs and solo career fame. It will be released on CD and digitally May 13th via Benson’s independent label Readymade Records (in the U.S.), and distributed by Thirty Tigers/RED. In Canada, it will be released via Dine Alone Records, and distributed by Universal. It will be released throughout Europe via CRS on May 12th.  The vinyl configuration will follow on May 27th in the U.S. and Canada, and on May 26th throughout Europe.  

Benson describes Trouble as “effortless artistry . . . woebegone, lovelorn and wrought with pain, but not without installments of lightheartedness and beauty, downtrodden and then uplifted.” He adds, “The Howlin’ Brothers are somehow able to conjure images of a bygone era and make it believable. Trouble is all over the map and I don’t just mean figuratively. The listener gets a glimpse into the troubadour lifestyle, traveling (among other places) to Louisiana for a Cajun romp on the bayou and across the Arizona desert to California on a search for a misses. It’s a journey very much worth the while. Hoooowwwwllll!”

Benson continues: “The Howlin’ Brothers live the life they sing about in their songs. They are authentic and the real deal through and through.  On top of that, they are the hardest working musicians I’ve come across.  They play their instruments
every waking moment and are truly possessed by music.”

Amidst all the touring and other activities the guys did to support HOWL, Brother Jared Green got married and became a dad, making the time away from home even harder for him. But every night on stage he brings the joy of playing and dancing to the music alive. His Taylor guitar is almost as worn as Willie Nelson’s famous guitar “Trigger,” with its extra sound hole created by too much pickin’. In addition to playing guitar, harmonica, dancing’ up a storm and singing, Brother Jared is an accomplished piano player (check out his playing on “Tennessee Blues” from The Sun Studio Session EP). He sings lead vocals on the songs he wrote:  “Monroe,” “Pack Up Joe” and “Hard Times”.  

According to Green, “The songs on Trouble are very different from one another. It’s a collection of beautiful music influenced from personal experience. We tend to write songs separately and collaborate after a melody or lyrics are fully thought. Trouble is a gumbo of stories that we hope the whole world will hear. It was a blast working with Brendan Benson again, getting as far out sonically as we could dream of, all in the midst of having a brand new baby and coming right off the road from a busy year. A time of my life I will never forget.” 

He adds: “HOWL received great reviews from all over the world. I am still impressed by the overwhelmingly positive response it has received. We toured our asses off in 2013 gaining much insight into ourselves and the world we live in. It is beautiful to see people from all walks of life getting down to our music and it’s a wonderful feeling knowing that we are growing our fan base.”

Trouble’s songs touch on lots of experiences from each side of the same coin in the band’s life. Though these guys have more depth and dimension than just two sides as people, players, and songwriters. Their individual strengths combine in the bands’ whole in ways that really do solidify their bond as musical brothers. They all met in college up in Ithaca, N.Y. and migrated to Nashville, Tenn. Afterwards, where they immersed themselves further in the Southern music they love and began to further hone their craft.  Prior to HOWL (2013), they self released four albums – Tragic Mountain Songs (2007), Long Hard Year (2009), Baker St. Blues (2011), and a very limited edition compilation of live performances, Old Time All the Time (2012). These previous releases had been sold exclusively at shows, however they may become available on the band’s website sometime in 2014.  An old-time pickin’ party and the wash tub bass led to them meeting Brendan Benson, who later tapped them to perform on a Cory Chisel record he was producing, soon after Brendan & the guys teamed up to create HOWL.  

They ended their HOWL Tour in style last year opening for and then participating in the Brendan Benson & Friends benefit concert (for The David Lynch Foundation) at The Ryman Auditorium in late December. They will reprise the same role on the 2014 version of this show in London at Shepherd’s Bush this coming October 11th.  

Brother Ben Plasse plays stand-up bass and sings lead vocals on the songs he wrote:  “Boogie”, “Love”, “Troubled Waltz” and “Louisiana”.

“HOWL was very well received, and I think we owe a lot of that to great bands like the Carolina Chocolate Drops and Old Crow Medicine Show among others, who paved the way for a new generation of string bands to have success. It’s a beautiful thing to see so many young bands making music on fiddles and banjos.”

Brother Ian Craft plays banjo, fiddle, mandolin, and sings lead vocals on the songs he wrote:  “Pour It Down,” “Night and Day,” “Sing a Sad Song,” “World Spinning Round,” “I Was Wrong” and “Yes I Am!”  

Craft says: “Trouble is an awesome recipe for tasty sounds your ears will be happy to take the journey with us from Jays songs of love and Cajun food to Ben’s travels to get a mojo hand and find the girl who has yet to present herself, to my tunes of love gone wrong and finally a little moment in an old church on top of a smoky ole Tennessee mountain top.”

In the fall of 2013, The Howlin’ Brothers recorded and digitally released The Sun Studio Session EP in the U.S. and Canada. Recorded as part of the PBS series The Sun Studio Sessions, this six-song collection features four new originals (one of which, “Troubled Waltz,” was re-recorded for TROUBLE), a re-record of “Tennessee Blues” (from HOWL), and a cover of the Carl Perkins’ classic “Dixie Fried.” A limited edition vinyl pressing will also be released via independent music stores on May 27th in the U.S. and Canada as well, and the EP will also be released in Europe on July 7 in CD, digital, and vinyl. Their segment (#8) of the PBS show has already begun airing and will be broadcast on TV in as many as 100 markets throughout this year in the U.S. The guys treated the opportunity to record in that historic studio with respect and really captured the spirit & tradition of those famous early rock ’n’ roll recordings that helped change the music world, by breathing new life into the process — adding subtle modern touches via their own influences and vision.

This EP was a bridge between HOWL and Trouble and is worth seeking out for all who dig those old Sun recordings and fans of The Howlin’ Brothers alike. The legendary Sun Studio in Memphis is still a going concern. A tourist destination during the day, the “Birthplace of Rock ’n’ Roll” often hosts sessions after hours with some of today’s best up and coming acts.  
The Howlin’ Brothers begin a Pledge Music campaign the week of March 3 to help raise funds for a new van (so they can keep touring), some videos & marketing help for Trouble, and to better fund their overall business efforts.

1. Pour It Down 
2. Boogie 
3. Night and Day
4. Monroe
5. World Spinning Round
6. Troubled Waltz
7. Sing a Sad Song
8. Pack Up Joe
9. Love
10. Hard Times
11. I Was Wrong
12. Louisiana
13. Yes I Am!

The Howlin’ Brothers are:
Ian Craft (Banjo, Mandolin, Fiddle, Kick-drum, Vocals) 
Jared Green (Guitar, Harmonica, Piano, Vocals) 
Ben Plasse (Upright Bass, Vocals) 

Special guest artists on Trouble include:
Ricky Skaggs – mandolin on “Hard Times” and “Sing a Sad Song”
Etta Britt (also Brother Jared’s mother-in-law) 
– Background vocals on “Love” and “Yes I Am”
Mike Freid – Pedal Steel on “World Spinning Round”
Gregg Stock – drums on “Sing A Sad Song”
Brendan Benson – Washtub Bass on “Boogie” and background vocals on “Yes I Am!”


Tues., March 18 BOISE, ID Neurolux
KRBX 89.9 FM, Radio Boise presents … (t), on-air interview, performance TBD
NOTE: * denotes McMenamin’s Great Northwest Music Tour
Wed., March 19 BEND, OR Father Luke’s Room at Old St. Francis School *
Thurs., March 20  PORTLAND, OR Kennedy School Gymnasium *
Fri., March 21 GEARHART, OR Sand Trap Pub at Gearhart Hotel *
Sat., March 22 McMINNVILLE, OR Mattie’s Room at Hotel Oregon *
Sun., March 23 PORTLAND, OR Lola’s Room at the Crystal Hotel *
Mon., March 24 KSMF Jefferson Public Radio interview and performance taping in Ashland, OR (air date TBD)
Tues., March 25 CENTRALIA, WA The Olympic Club Theater *
Wed., March 26 BAINBRIDGE ISLAND (SEATTLE), WA Treehouse Cafe 
Thurs., March 27 TROUTDALE, OR Edgefield Blackberry Hall *
Fri., March 28 FOREST GROVE, OR The Compass Room Theater at Grand Lodge*
Sat., March 29 BELLINGHAM, WA The Green Frog Acoustic Tavern
Sun., March 30 VANCOUVER, BC The Railway Club
Tues., April 1 MISSOULA, MT Missoula Winery
Wed., April 2 BOZEMAN, MT  Live From The Divide taping. NOTE: will broadcast later on Montana Public Radio
Thurs., April 3 (t) SALT LAKE CITY, UT or LINCOLN, NE TBD
Fri., April 4 DENVER, CO Swallow Hill’s Cafe
Sat., April 5 KANSAS City, MO Knuckleheads Saloon
Sun., April 6 ST. LOUIS, MO Gramophone
Thurs., April 10 (t) ATLANTA, GA Smith’s Olde Bar
WDVX – FM, Blue Plate Special, noon. HYPERLINK “”
(t) Wildman Steve Radio taping, 2:30 p.m. HYPERLINK “”
Fri., April 11 BROOKVILLE, FL Sertoma Ranch/SpringBreak Festival
Sat., April 12 ATHENS, GA The World Famous
Tues., April 15 WSM 650 AM Morning Show, on air interview and performance, 9:15 a.m. HYPERLINK “”
Thurs., April 17 OKLAHOMA CITY, OK The Blue Door
Sat., April 19 CONROE (HOUSTON), TX Dosey Doe Music Café; opening for The Black Lillies
Sun., April 20 AUSTIN, TX The Saxon Pub
Fri., April 25 INDIO, CA Empire Polo Field/Stagecoach Festival
Sat., May 3 CARBONDALE, IL Tres Hombres
Sun., May 4  NASHVILLE, TN 3rd & Lindsay, 8 p.m. Broadcast live on WRLT 100 FM, Radio Lighting
Fri., May 16 GETTYSBURG, PA Gettysburg Bluegrass Festival
Fri., May 23 ALBANY, NY The Linda
Fri., May 30 GOSHEN, IN Ignition Music
Sat., May 31 LOUISVILLE, KY Decca Restaurant
Sat., June 14 PALISADE, CO Riverbend Park/The Palisade Bluegrass & Roots Festival
Fri., Aug. 22 LAWNDALE, NC Clear Mountain View Music Festival
Fri., Oct. 10 LONDON, UK Shepherd’s Bush Empire Brendan Benson & Friends,
a benefit for the David Lynch Foundation.


“I’ve heard whispers about The Howlin’ Brothers for a while now but never had a chance to catch a show until Folk Alliance.  They’re worth the wait.  The youthful old-time Nashville trio killed all week offering their ‘Tennessee Blues’ or covering Townes Van Zandt’s ‘White Freightliner Blues’.”—CMT Edge 

“HOWL captures the ragged energy of their live performance. It’s heart-pumping, bass-thumping party music of the highest order.” —Acoustic Guitar (cover story, Jan. 2014)

“Not only do they cover their 21st century hillbilly string band bases — reels, fiddle tunes, bluegrass-style romps, etc. — they’ve  brought raw-nerved rock attack back around to its full-bodied blues roots.” —Nashville Scene

“The Howlin’ Brothers take bluegrass and old-timey music as a starting point that allows them to rip into traditionally inflected tunes with a verve and energy that wouldn’t feel out of place on a rock ’n’ roll record.  This is acoustic music with one eye turned toward the past and the other squarely facing the future.”

“HOWL proffers tunes true to the spirit of their inspirations without being slavish imitators. Driven but not rules by skilled musicianship, they keep the rootsy waters churning without concern for winning Instrumentalist of the Year awards.  Worrying less about authenticity than about being real, The Howlin’ Brothers make music that ignores trends in favor of timelessness.” —The Big Takeover

“The Howlin’ Brothers are poised for bigger things, and attention must be paid.”
—Deep Roots Magazine

“a compelling, muscled Americana outfit, given just the right showcase here by Benson. —HYPERLINK “” 

“I sure enjoyed working on the new Howlin’ Brothers project. Their desire to mix old and new sounds together really caught my attention. It’s a good work.”
—Ricky Skaggs

# # #

For more information about the Howlin’ Brothers, please contact Conqueroo: Cary Baker • (323) 656-1600 • HYPERLINK “”
Julie Arkenstone • (818) 703-5034 •

John Porter • Mood Indigo Entertainment • HYPERLINK “tel:%28917%29%20301-7528″(917) 301-7528 • HYPERLINK “”

Jared Green

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